One of the highlights of my daily Twitter experience is checking out the latest musings from one of my all-time favorite artists, the incredible Rob Thomas. (Yes, that Rob Thomas, and if you don’t already follow him on Twitter, you can find him by searching for “ThisIsRobThomas” from the social network’s main website, or by clicking here. For that matter, if you don’t yet follow me, you can either search for “BrandonsBuzz” or click on the Twitter link inside the maroon box of tweets in the far right column of this very page.)
In amongst chattering with his friends and fans, Rob has a regular feature on his Twitter feed that he calls, simply, “Song of the Day.” There are no frills here, and no expansive ruminations: just a song title — and the name of a singer to whom the named tune corresponds — which presumably Rob is either listening to that very moment or otherwise just generally enjoys. The range of Rob’s choices can be a bit scattershot; sometimes he chooses a new-ish title, and others, he goes for a bona-fide blast from the past. Some days, he selects a superstar-sung classic that urrybody can hum along with, and others, he reaches into his hat and pulls out an obscure ditty that, probably, only he can sing in the shower. (Wednesday’s “Song” was Van Morrison’s “Into the Mystic,” one of the all-time greats; before that, “Moves” from The New Pornographers and “Come Rain or Come Shine” from Ray Charles; recent titles from the past two weeks or so have come from the disparate likes of Suzanne Vega, The Black Keys, Cat Stevens, Soul Coughing, and — heads up, Sherry Ann! — Jason Mraz and The National.)
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