She & Him
--- the Buzz to here ---

22
Sep

 

The album that the Buzz has been breathlessly anticipating for four long years now finally drops this week, and some pretty interesting stuff drops right alongside it. David, my darling, we have missed you!

 

Those pesky geniuses at Now! are out to steal a bit of Ultra’s thunder with their latest brilliant compilation, Now That’s What I Call Club Hits!, which features a smattering of hard-to-find dance mixes of recent radio smashes from the likes of David Guetta (his masterful collaboration with Kelly Rowland, “When Love Takes Over,” one of summer ’09’s most intoxicating singles), The Killers (“Spaceman”), Katy Perry (“Waking Up in Vegas,” which I can’t help but kinda sorta like, wholly in spite of the fact that I think she’s utterly ridiculous), Lady GaGa (the hilariously profane “LoveGame”), and Kelly Clarkson (the puny “My Life Would Suck Without You”), among many others.

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15
Jul

 

As the world continues snapping up Michael Jackson recordings of any stripe — a fact which stands as heartening evidence that people can still be compelled to purchase actual records given the right circumstance — there’s not much happening on the new release wall this week. Chalk it up to the July doldrums:

 

The “Idol” cabal is certainly having itself a kick-ass summer to here: Miss Kelly’s back with a spectacular album that has entirely eradicated the stench of the leaden effort which immediately precedes it in her discography; spunky li’l Jordan Sparks has blasted back to the foreground with her fabulous smash “Battlefield,” a brilliantly bombastic Ryan Tedder tune about which not nearly enough Buzz ink has been spilled (a situation that I’ll set about rectifying next week, when the full album drops); and my beloved Brooke White offers me the greatest birthday present fathomable next week with the release of her long-awaited post-”Idol” effort High Hopes and Heartbreak, which is teased by the bouncy sing-along track “Radio Radio.” And then there’s Chris and the boys from Daughtry, who have set top 40 radio ablaze all over again this summer with the fiercely melodic “No Surprise,” the terrific lead single from the band’s sophomore record Leave This Town. Even though he can be a tad too pompous for his own good, and his sideburns more often than not tend toward the bizarre, there’s no denying that Chris is one hell of an engaging performer, and because his debut was such a masterfully executed commercial triumph, there’s little reason to believe that album number two will deviate radically from such a winning formula. If it ain’t broke, don’t fix it. (If you’re so inclined, pick Town up at Target, whose edition comes bundled with a bonus DVD containing the band’s six videos, including the new clip for “No Surprise.”)

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16
Jan

the road that stretches out ahead

posted at 11:39 pm by brandon in mine's on the 45

A and I walked into Starbucks yesterday in search of nothing more than a post-lunch slice of blueberry coffee cake.  Better believe I walked out of there brandishing significantly more than that.  While standing at the register waiting for the cute barista to serve up our sweets, I picked up and began to peruse the back cover of Hear Music’s latest masterfully assembled compilation, This is Us:  Songs from Where You Live, and damn near fainted from the sheer gorgeous majesty emanating from the disc.

 

Promising in the description that this record portrays “the wistfulness that lingers when home is far over the horizon” — a tall task, that — you’ll be demolished when you realize just how brilliantly (and with what kind of devastating surgical precision) it goes about accomplishing that exact goal:  Us starts out on a breathtaking high note, with Michael Penn and Aimee Mann’s — very much our generation’s John and Yoko, only criminally less famous — amazing 2002 cover of the Beatles’ “Two of Us” (is it heresy to say that I quite prefer their version to the Fab Four’s nondescript original?  As Sherry Ann will haply attest, I luvs me some Michael Penn, honey), and the tracklist really hits its stride in the disc’s second quarter, with a bam-bam-bam-bam shot of Glen Hansard & Marketa Irglova (with the title track from their heart-wrenching, spectacular 2007 motion picture Once, which is already well on its way to becoming the music-centric film of its — and, perhaps, any other — time), Feist & The Constantines (teaming up on a radically downtempo take on the ’80s classic “Islands in the Stream” which, even though it’s not by half as much gloriously trashy fun as Barry Manilow and Reba McEntire’s recent remake, is just plain revelatory for all the emotion it manages to unearth in simply mellowing the groove), my beloved Josh Ritter (helping out Mark Geary on a sensational song called “Ghosts”), and the terrific troubadouress Gillian Welch (the melancholy masterpiece “Orphan Girl”).  I’m telling you, by the time you hit track number ten — She & Him’s astonishing acoustic cover of Smokey Robinson’s “You Really Got a Hold On Me,” about which I’ve already waxed rhapsodic here — if you’re not ready to rush to the phone and tell your mommy how much you love and miss her, you’re a stronger man than I, guaran-damn-teed.  And it doesn’t even stop there:  sterling recent efforts from Shelby Lynne (“I Only Want to Be With You,” a highlight from her too-little-heard 2007 Dusty tribute Just a Little Lovin’), David Gray (“You’re the World to Me,” the radio single, which I initially found to be subpar but which has grown on me exponentially, from his Greatest Hits), and Mark Knopfler & Emmylou Harris (a track from their stellar collaboration All the Roadrunning which gives this collection its title), all light the way toward the record’s shattering conclusion, wherein that long-lost genius Jennifer Warnes — who has been desperately missed, at least in my house — reteams with her mentor Leonard Cohen for a soul-cleansing reading of his all-time classic “Joan of Arc,” an album climax so thoroughly worthy of the tumescent build-up that precedes it that you want to hit your stereo’s repeat button and let this record engulf you anew with its aural magic.

 

The musical equivalent of Mom’s mac and cheese, or her chicken soup, or her embrace that you’ve been craving in the six months since you last saw her, Us is a warm, comforting knockout, and a gentle but firm reminder that home is where you find it. Get thee to your nearest Starbucks immediately, and find it for yourself.

 

4
Jul

A certain mismatch on paper, yet a striking triumph in practice, modern troubadour M. Ward (best known for his work with Beth Orton, Norah Jones, and Bright Eyes) and rising actress Zooey Deschanel (whose biggest claim to fame is almost certainly her bitterly raw turn opposite Paul Schneider in 2002’s gut-wrenching love story All the Real Girls, and who is still slated to portray the iconic Janis Joplin in Penelope Spheeris’ oft-delayed biopic) have joined forces to create the duo She & Him. Having first collaborated on an end-credits tune for the 2007 independent film The Go-Getter, Ward and Deschanel enjoyed the experience so much that they decided to tackle a full-length project, and She & Him, Volume 1 was born.

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